Process. Progress. Detritus.
One morning in 2010 I took a photo of some lines I had scribbled in a notebook (where almost all my writing begins) and emailed it off to a colleague, asking his valued opinion about whether I should pursue that particular angle on a story of mine that we had been discussing. His response: "No. But this image has a lot going for it. Ditch the story and do something with the photo. It has its own life."

I designed a simple blog and stuck the image up on it and that was all that I put on there. Just one image. I didn't have an intention (I'm still not clear if I do). Then a few weeks later I added another one and then irregularly some more. I started sharing the blog with more people who knew my work and then started sharing the site to a broader and differing audience via various social media.

Now, more than five years have passed in this experiment. The blog went through several changes in design and is now in the form of this site. Almost a thousand images and their transcriptions have ended up here. In that process of documenting how my writing begins, the entirety of my writing process has been changed. Almost every morning I will write in my notebooks to get myself going, then I'll snap an image of those beginning moments, then I post it onto A Rough Draft and transcribe the image often extending the writing, and editing as best I can in that brief time I have. This results in an inevitable second draft of each entry but also . creates a repository I will work from – offline, as I rarely come back to the posts to edit them on this site. 

What you'll find here is hundreds of mornings of such a process. Some images get categorized by the novels I am working on, like Selector or The Recipients. Others, like We Didn't Get Very Far are part of an essay I am struggling to construct. The rest are just loosely gathered under headings that I only sometimes pretend to understand myself (below are brief descriptions of those headings that each link to the various areas of the site & below that is a list and links to where my work has been published). Few items are presented as linear and most everything is fiction.

While I still have no conclusion as to what this site has become, I have been delighted by the handfuls of followers who write to me about what I am doing here. More pleasant is the surprising engagements I have had with dozens of people around the world who go out of there way at conferences or workshops to talk to me in person about my work, this process, and tell me of their own approaches to their writing. 

However you found your way here, thank you. I hope you come back.

Philip Swanstrom Shaw

• The Recipients: a once completed novel that is now in revision, again.

• Selector: turning a dystopian fall into a utopian dream; my current novel in progress.

• Suite of Modern Common: a collection of shorts in progress, many of which have origins found elsewhere on this site.

• The Various: words that are closer to knowing where they belong.

• Sundry: very random images of words w/o a definite home.

• We Didn't Get Very Far: a portion of the site where the posts of the work are linear, if even the story is told in fragments. If you want to read with continuity, start here.

• Always Say Never: Another portion of the site dedicated to a specific story presented in a linear serialization of its origin.

• All the Things I Wanted to Remember: Lines. Moments. Contemplations. Exercises. Typically short and sporadic.

• Histories: stories that have stayed around for decades.

• Ones with Drawings: word crafting that begins pictographic.

• Alphabet for Adult Children: What it sounds like. An experiment with illustrations that was begun and as of yet, unfinished.

• Toys in the Ground: a novella in progress – a story out of time and place.

• Palimpsest: a novella in progress – a story of displacement.

Publications Include: 
When I'm Having a Difficult Time Maintaining My Concentration with Regard to Certain Aspects of My Most Immediate Surroundings in Heavy Feather Review, Volume 5

Slept Like. Woke Like. on Robert Lopez's No News Today – January 2015

• The Etymons in Torches & Pitchforks: Winter 2015 – Teacher's Edition

What's She Doing Now?, 2013 Wild Light Award judged by Kate Gale, in the Los Angeles Review, Winter 2015

 How we Used to Use Water: Blood of the World – Conversations Across Borders / Kahini Magazine – Collaborative cross-cultural writing project with noted Australian actor/writer, Ben Crisp – Fall 2012

Adorned, Kahini Magazine, May 2012

Our Statue on 10 Nerudova, Everywhere Magazine, October 2007